高清

荣耀六十年

8.1

类型：科幻地区：中国台湾年份：2016 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：丁亦鑫,萨拉·史密斯,Anas Ridzuan

上次更新：2025-02-11 07:00:13

立即播放收藏

正片

剧情介绍

《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

小小恶魔酱:刚刚

是由托尼·凯耶执导，艾德里安·布洛迪、克里斯蒂娜·亨德里克斯主演的美国电影，讲述一个拥有与学生进行某种情感交流天赋的老师与学生之间产生的情感连接。
太销魂:5分钟前

“漂亮”不足以说明他的新邻居莉拉，她就象埃非尔铁塔，高佻、美丽、法国味十足，但是她只能远观而不可接近，于是迪伦决定吸引她的注意力。
神降之年:3分钟前

1梁咏琪，在中，梁咏琪的另类造型可说是为电影牺牲了一切，不过表现不错，最终的转型也为电影带来了不少虽在意料之中却仍带点惊喜的效果。
天空守护:2分钟前

是诸神之战不是死神是哈迪修斯诸神之战是由路易斯·赖特丽尔LouLeterri导演的电影。
谷雨青橙:分钟前

而我们往往只是看见别人成功的现象，却很少看到别人在成功背后付出的艰辛。
谢忘川:1小时前

🐽☝️🐲猜明星
南风蔚然:7小时前

曾经在赛车界叱咤风云，却因非法飙车被禁赛五年的赛车手张驰如今只能经营炒饭大排档。
浪一波儿:5小时前

就是当大象走进卧室里的时候，人们不是认为大象是假的，就是觉得卧室是假的。
隔壁你二叔:小时前

选好音乐之后，我们还需把它与视频融合起来，这就是为什么现在还会有许多卡点和踩点视频。
纳兰君:1天前

他回家时碰到那个小女孩，她说找他玩，但是没有找到，他晚上睡觉时几次笑出声来。